Apparently, it escaped me that these were the golden years of UCLA basketball. I saw, maybe, two games during my four years there. I wouldn’t become a basketball fan for another 17 years, when I fell in love with the Lakers. ( They had a GREAT game last night!) I still don’t follow college basketball but the more I learn about John Wooden, the more I admire him. Three of his quotes – “Be more concerned with your character than your reputation, because your character is what you really are, while your reputation is merely what others think you are.” – “Don’t mistake activity with achievement.” – “The true test of a man’s character is what he does when no one is watching.”
Luke and I were in the midst of one of our many break-ups so I was dating. It was awkward and uncomfortable to talk to a new guy, especially compared to the rapport I enjoyed with Luke – even when we were fighting. I don’t remember anything about Bill at all; for me, he exists only in this diary entry.
That strikes me as sad, but he’s far from the only person I crossed paths with that I no longer recollect. I’m sure that’s true for everyone (I hope so or my memory is worse than I thought). We all meet so many people in the course of our lifetimes. Only a handful make a lasting impact. I like to fancy myself unforgettable, but no doubt Bill has forgotten me too.
“Success” was a syndicated (very slightly syndicated) half-hour talk show (and tax shelter). I recruited J’s boss, Mark P. Robinson Sr., because recently he’d been voted Trial Attorney of the Year. Mark had an amazing history. He was the youngest wing commander in World War II and was shot down over Yugoslavia. While his plane was going down, he promised he would go to Mass every day if he survived. He kept his promise. He was broken out of a POW camp by an OSS operative, Joe Sampson, who became his permanent private investigator.
MPR was an impressive, amazing person as are his sons – Mark Jr., who won the Ford Pinto case (exploding gas tank), one of a series of fantastic results that have continued to this day, Greg Robinson, defensive coach for the Denver Broncos when they won their two Super Bowls, and Geoffrey, who J considers the coolest guy he ever met.
MPR was vice-president of the California State Bar and co-founded the American Board of Trial Advocates. In addition to being a brilliant lawyer and a devoted Catholic husband and father, MPR had a huge personality and a legendary temper. He formed and shattered at least half a dozen partnerships during J’s tenure with him. Let’s put it this way. No one ever forgot that MPR was in the room. Most of the time, that was a good thing.
Not surprisingly, J’s relationship with MPR was volatile. I was horrified the first time I heard them yell at each other on the phone and amazed when it was all smiles the next day. J learned a lot at USC Law School. He learned much more from MPR.
Growing up PK, I performed in dozens of holiday programs but this was my first in a parental role. I wasn’t embarrassed when CD abandoned the stage – who could expect more of a three-year-old? I hoped he’d enjoy the performance but I don’t think he did. A live audience flicks a switch in some kids – not CD, at least at age three.
I was a show-off at his age, desperate to drown out my younger sister Janet. After I belted all four verses of “Oh Come all Ye Faithful”, my father would gently suggest I let Janet take her turn. “No, Daddy, she’s too little, she doesn’t know the words, I’ll sing it! Joy to the World, the Lord is come…” All of this was recorded for posterity on reel-to-reel tape.
I’m not sure when I lost my taste for performing – probably when we moved to California and I was the uncomfortable new kid in kindergarten. My concern shifted from wanting to share my genius with the world to obsessing about how the world rated me (as yet unaware that most people weren’t paying that much attention.) My fear of not being good enough silenced the raging diva deep inside.
Technically, I’m not a hoarder – but I totally get what they’re doing and why. For years, it was impossible for me to recycle newspapers and magazines until I actually read them, regardless of how obsolete they might be. I’m more ruthless about recycling periodicals now, not so much because I can let things go as because I can google any article or story I need. Technically it’s progress, but is it really?
It’s harder to toss early drafts of my creative work because who knows? Someday I may need that bit of dialog in scene 3 of a movie that was DOA. Today, of course, I can save these gems on my computer, but I’m talking about the golden age of paper. Guess what? In my thirty-year career as a writer, I have never – not even once! – retrieved a piece of rejected dialog.
J is a different animal. He can trash yellow legal pads without scrutinizing every scribble. It’s true, he’s quicker to toss my rough drafts than his, but that’s because lawyers are legally bound to hang onto files for a specified number of years after a case concludes.
These conversations may not sound “deep” today (or was the word “heavy”?) I’m glad I wrote them down – otherwise, I’d have no idea what my sisters and I talked about as kids. Do you remember childhood topics of conversation with your friends? Your siblings? Your parents? Do you ever wish you’d written it down?
I have zero independent recall of the vast majority of days described in my diary. They sound vaguely familiar – like something I might’ve overheard or said – but it’s my diary telling me what happened, not any real recollection.
Oddly, I do remember this conversation with my father – it started with my short story and evolved into a discussion of coming of age. I can see him on the floor, repairing that cupboard in our Del Monte kitchen. He made such an effort to meet me on my own turf. He listened to my Beatles records, listened to the Doors. Being young and selfish, I didn’t respond with reciprocal interest in his world. I wish I had; he had more to teach me than I could ever teach him. That said, his purpose was never to indoctrinate – he wanted to know me.
This debacle – I truly tanked the GREs – was due to my own hubris. I hadn’t spent a minute in a math class since high school. For that matter, I avoided hard core English classes too, choosing to specialize in courses like Ibsen and Tolstoy in lieu of grammatical structure. I never did like diagramming sentences.
So, sure, my hard-core academics were rusty, but all my life, I tested high on standardized tests. Why should today be any exception? I sailed into the GRE exam without so much as a cursory glance at a GRE preparation guide. Why bother? How much can a person forget in four years?
News flash. In four years, you can forget more math than you ever knew. Granted, I could still nail basic addition, subtraction, multiplication and division but guess what? They don’t ask that kind of question. Algebra and geometry were center stage. I suspect calculus and trig played starring roles, too, but I can’t verify because I didn’t take either one in high school.
So, how badly did I choke on the GREs? Suffice to stay, none of the Ivy’s competed to recruit me.
As I understand it, millennials – and, for that matter, gen-xers too – get to write their own ticket when it comes to senior pictures. Not only can they choose their own wardrobe, they can select the location(s) of their photo shoot – the better to accurately convey their personality.
Back in the Dark Ages, things were different. All the graduating girls in my Wilcox yearbook flaunt the same black drape – it had been a tradition for decades. As a child in my grandfather’s house, I revered the four framed 8×10 senior portraits of my father and his siblings that adorned the wall. The implicit message was, your senior picture is for life – it will follow you to your grave.
I wasn’t entirely wrong. Name a celebrity who hasn’t been mortified by the reappearance of his or her senior picture. Like the driver’s license photo that could double for a mug shot, a senior picture is forever.
I invite anyone reading this blog to post their own senior picture in the comments section. If you went to Wilcox, it’s in my yearbook, but rather than embarrass anyone, I call for volunteers. Any takers?
These were heady, exciting days. The chance to adapt S.E. Hinton’s novel for the screen was the break of a lifetime and I didn’t want to blow it. At my pitch meeting, I impulsively volunteered to return to high school – posing as a student – to determine if contemporary high school cliques resembled those depicted in Hinton’s 1967 novel.
I was a novice at writing as well as posing as somebody I wasn’t. I’d written two spec scripts and an unproduced MOW. Technically, I knew what I was doing; I could perform at a high level in academia but what about the real world, for real stakes? The story meetings were intimidating. Facing blank pages felt terrifying. Add to that, the pressure to pass for a 17-year-old high school student when I was a 29-year-old married mother.
Because I was a nobody in a sea of somebodies, there’s no reason Jon Davidson should have recognized me – particularly since I worked all of three months at New World, ostensibly as Roger Corman’s assistant (my title) but actually as the receptionist (harsh reality). Jon was sweet to pretend; it gave my ego a tiny but desperately needed boost.
This was an exciting time. I loved the fast and furious pace of television versus the plodding development process in features. Most of my television credits are stand-alone MOWs (Movie of the Week), a 90s network staple. TV movies unfolded in seven acts, to accommodate six commercials. Ideally, all six act breaks were cliff-hangers, to ensure viewers didn’t channel hop when the ads started.
“Malibu Shores” was my only series experience. As co-producer, I worked long office hours with producers John Eisendrath and Joel Feigenbaum. After decades of writing at home on my own timetable, this was a shock to my system.
As staff writer-producers, we wielded more power than the directors we hired on a per-episode basis and the actors consulted us when they wanted to change a line. John and Joel insisted I veto the first request, to experience the thrill of saying “no” to a script change. That said, we could not say no to Aaron Spelling, broadcast Standards and Practices or the NBC executive in charge of the show.
In his novel Artistic Differences, Charlie Hauck compared producing a television series to chapter 37 of Moby Dick. I quote him below, slightly abridged. I highly recommend his book to anyone interested in staff writing.
“It’s exactly like chapter 37 of Moby Dick. Captain Ahab finally spots Moby Dick. He has a shot at him. And he gets a boat down in the water, a skiff or whatever. And he’s got these Asian guys rowing the boat. They’re not his regular guys – these are some kind of hotshot whaling experts. Anyhow, all these guys are rowing the boat. They really know what they’re doing…they’re Joe Whaler. And Ahab is standing in the back with this harpoon that he’s been sharpening for three years. And Moby Dick is flopping around, like, two hundred yards away. And all of a sudden, these sharks surround the skiff. They’re everywhere. And the sharks start taking bites out of the paddles of the oars. And the paddles are getting smaller and smaller, and it’s getting harder for the guys in the boat to row, and the whale’s not going to stay there forever, right?
But the thing is, the sharks don’t want the oars. They want the whale, just like Ahab and the Asian guys. But the sharks, who want the whale as much as anybody else, they’re the ones who make getting the whale impossible. You see?
And here’s the analogy. The whale is the television show. The hit series. Like, if it goes into syndication, everybody connected with it makes fifty million dollars. And the people in the boat, they’re the writers and producers. They’re the ones trying to get the whale, who know how to do it. And the sharks, the guys biting the oars, they’re the network guys, and the production company executives and the agents and everybody else who, when they don’t know how to get to the whale, decide, somewhere back in the swamp ova of the human brain, well, Jesus, I should do something, why don’t I try to sink the boat? And that’s exactly what it’s like trying to produce a television show.”
The one-bedroom Sharon and I shared near the VA cemetery was my first apartment but I had years of practice co-existing in small spaces with others. Growing up in a Santa Clara parsonage, then sharing UCLA dorm rooms, taught me a little about compromise but apparently not enough. Things had been testy between Sharon and me from the start, but it was still devastating when she wanted me gone.
After that, I avoided her on campus. We lost touch after graduation. Decades passed and I still felt badly about how our friendship imploded. I wondered what she did with her life. When the internet arrived, I googled her but “Sharon Richards” produced so many hits it was hopeless– until UCLA published a student directory.
Imagine my surprise to discover Sharon lived less than five miles away – we actually shopped at the same Ralph’s market. It took courage to call her. I’m not sure if I was scared she wouldn’t remember me or that she would. We met for lunch and I apologized for being the roommate from Hell.
She explained that regardless of what she might’ve said (I wrote it down, so I knew), she was in the throes of her own anxieties – what I read as brutal rejection wasn’t much about me at all. As it turns out, very few things actually are “all about me.” This insight was healing and, as a bonus, Sharon and I became better friends than we were before we became roommates.