At 17

August 23, 1968

This entry reminds me of a line from Annie Hall by Woody Allen – “I would never want to belong to any club that would have someone like me for a member.” The quote has also been attributed to Groucho Marx and it crystalizes some Freudian concepts (according to something I read on the internet). While the quote isn’t mine, the idea it expresses resonates.

Wilcox 1967 Literary Screening Committee (School Magazine)

The moment I got kicked off the Wilcox literary magazine, I wanted to get back in. Once reinstalled, I lost interest. Cathy was right when she questioned my commitment, although she should’ve done it to my face. Wanting what I’ve lost (or can’t have) wreaked havoc with my adolescent love life. Nice guys who genuinely liked me got taken for granted; I obsessed about jerks who couldn’t care less. I identified with sad songs of unrequited love, not joyful tunes about finding my soulmate.

Wilcox Literary Magazine '68 — Wilcox Literary Magazine ’68

Sad lyrics still move me more than happy ones, but today I make better choices. That said, sometimes I still treat the people closest to me worse than I treat virtual strangers, whose approval I crave. Fortunately, the people I love – who love me back – are forgiving and understanding. They deserve my best and one of these days, they’ll get it.

July 24, 1979

I’ve always looked to others, frequently male, for validation, especially when it came to my looks. My personal bar for beauty was Jean Shrimpton. I was tall, but she was taller and thinner. The Shrimp didn’t suffer bad hair days. She never over-plucked one eyebrow, dyed her hair an unfortunate shade of orange or popped a pimple, as far as I could tell.

When I was 17, all I saw in the mirror was my chipped front tooth, the scar on my lower lip, my nose. Time changes everything. I’m sure I’m not the only boomer babe who stumbles across a photo of her teen-age self and thinks, “Wow. I used to be something” – even if I wasn’t the prettiest girl in the room.

I’m not the girl in those photos anymore and I’ll never be the prettiest girl in the room, unless it’s an AARP meeting. So what? Dave gave me a much more important compliment that night. There’s no shelf life on being interesting. It’s possible I’ll be more interesting at 100 than I was at 28 – even as my skin and joints go downhill.

Today - not 100 yet - but far from 17!. — Today – not 100 yet – but far from 17!

Every year it’s easier to recognize what holds its value. My family. My faculties. I’m no longer young and beautiful, but plenty of people love my “aching soul.” For me, today, that’s enough.

April 23, 1979

I remember this well – my excitement was so intense it’s still indescribable. All of those times I came so close to my goal and missed taught me to lower my expectations. I didn’t let myself hope for more than another meeting. To learn my spec script had been optioned by a real producer for real money (not a lot, but more than I’d ever made writing before) seemed surreal.
Part of me always believed I’d make it as a writer, otherwise I wouldn’t have pursued it – but another part saw a screenwriting career as a dream, out of reach. One of my high school teachers told me I wouldn’t be a real writer until someone paid me to write and I believed her – so, Steve Friedman optioning the script was validation.

Writing - looks like a vacuum cleaner sitting unattended in the messy background. — Writing – looks like a vacuum cleaner sitting unattended in the messy background.

In my dizzy euphoria, I assumed everything would be different now – my career would come easily. That proved overly optimistic. Steve didn’t make the movie and the option lapsed. The same script would be optioned twice more, by two different producers, and it attracted some top-tier female directors and talent, but as of today it remains unproduced.
Doesn’t matter. It’s still one of the top ten days of my life.

November 19, 1968

Looking back, the symptoms of clinical depression are in neon lights – but in 1968, I didn’t know what that meant. If anyone had asked, “Are you okay?” I would’ve said “I’m fine” – the correct Norwegian response to any inquiry about mental or physical health, even on one’s death bed.

I felt terrible about disappointing my father but powerless to level up my game. Was it more important for me to make it to school or look human? They wanted both? I couldn’t do it anymore. Sure, other people managed it without too much difficulty – I did it once myself, but those days were behind me now.

I saw darkness everywhere, even when babysitting. Two little girls spent hours play-acting “drunken father coming home.” Another couple, who left me with their daughter, urged me to have fun with their cat. The kids appeared in desperate need of affection. They begged to sit on my lap but I was too lost in my malaise to respond with genuine warmth. I felt guiltier for what I couldn’t feel and do than anything that I did – because I couldn’t do much.

That fall, I had a recurring nightmare, in which I was stalked by an unidentified killer. Just as he was ready to strike, I’d wake up screaming. The trouble was, no one heard me. Surely, someone would have comforted me if they’d heard. If I really screamed out loud.

April 5, 1968

That was the last I heard from Lewis for thirty plus years. I glimpsed him a couple times – once at Valley Fair and once at Santa Clara University – but I felt ugly and unprepared to run into an ex so I ducked out of sight. He never called and having taken the initiative in asking him to the Sadie, I wasn’t about to call him again.

Kathy and Lewis - April 1968 - Sadie Hawkins — Kathy and Lewis – April 1968 – Sadie Hawkins

Sandra (Walker) Hegwood and Joey Chadim at the same Sadie Hawkins dance

This was the rule, not the exception, of how my relationships ended. Upon parting, we invariably promised to stay “good friends” after which we never spoke to each other again. Why was it so impossible to stay friends back then? None of my relationships ended in screaming or hatred – quite the opposite. I rarely if ever instigated the break-up although – looking back – in my passive-aggressive way, I drove more than one to dump me. I was sincere in my desire to stay friends but in those days, there was a stigma against girls calling boys – but maybe that’s just an excuse.

The internet – Facebook in particular – was a game-changer. For starters, it’s a lot less threatening to send an email than pick up the telephone. The passage of time helps too – not many wounds remain raw after twenty or thirty years.

In my experience, in any given break-up, one of the people involved wants it more than the other. Even if the dumpee agrees to be friends, there’s a hidden agenda to be more than friends. Twenty or thirty years after the fact, no one expects a relationship to pick up where it left off – hence, it’s possible to form a genuine friendship based on what two people originally had in common. I’ve been lucky that way with several exes, Lewis among them. While I can’t call this phenomenon closure – because these friendships aren’t over, they’re ongoing – they satisfy my need to make sense of what happened all those years ago.

February 5, 1967

This day has always loomed large in memory – in many ways, it epitomizes my adolescence. First, I have to cop to outrageous thoughtlessness due to the self-centered cloud I lived in. This was a momentous day for my father – in fact, I’ll wager it meant more to him than it did to me.

My Father's dream come true — My Father’s dream come true

My Mother and Father dressed for the occasion

My indifference to its importance in his life shames me today. I was incapable of grasping a world beyond my transient teen-age hurt over a bad time at a dance or my elation at meeting a new boy.

Natalie and I always egged each other in ways that got us into trouble and this was no exception. (The fact it was a Catholic Youth Organization dance – and in 1968 Lutherans and Catholics weren’t all that ecumenical – didn’t help.) Natalie got grounded too. Maybe that added to the drama and thrill of it all. Since we paid the price, the experience had to be of value, right? When Natalie was alive, no matter where we were, we called each other on February 5^th to remember and commiserate.

For me, the ramifications of that Sunday adventure lasted for years. I became obsessed with X (after he dropped me). At the time, I blamed my senior year clinical depression on my obsession with that failed romance but it was a scapegoat – the depression was inside me, just waiting for an excuse. And in some ways, the obsession served me well – it kept me aloof from other serious romantic entanglements that might’ve changed my life – maybe for better, maybe for worse. Like most events of my adolescence, it doesn’t matter; I’m happy with the life I live now.

What plans lurked behind those bright eyed smiling faces?

Hope Lutheran, forever in my mind, forever in my heart

February 2, 1968

We used carpet for the shattered windows

I wouldn’t feel comfortable modeling at all today (not that anybody’s asking) and I definitely wouldn’t wear any kind of fur. But this was fifty (gasp!) years ago and times were quite different then.

I’m sure some forward-thinking people were anti-fur in 1968, but I was unaware of the movement and – in my self-centered state – I didn’t feel particularly guilty about cloaking myself in the fur of dead animals. I’m not sure if this is much of a defense, but the reason JoAnn and I were modeling furs in the first place was the Hills were raising chinchillas – very rodent-like little creatures – specifically for the fur trade. I saw them in their cages at the Hill house, stroked their soft fur, but never really put it together they had to die to fulfill their destiny as a piece of a fur cape. I wouldn’t feel comfortable modeling at all today (not that anybody’s asking) and I definitely wouldn’t wear any kind of fur. But this was fifty (gasp!) years ago and times were quite different then.

I saw them in their cages at the Hill house, stroked their soft fur, but never really put it together they had to die to fulfill their destiny as a piece of a fur cape.

The other thing that strikes me about this entry is the extreme contrast between this elegant (at least to my adolescent mind) SF furrier salon and a car in which sticks and carpeting served as a rear window. It sounds as if the ludicrous dichotomy escaped me entirely – I enjoyed the whole bizarre experience which I characterized as simply a

I lost touch with JoAnn years ago and I’m hoping if she or somebody who knows her happens across this, she’ll get back in touch.

A year later we modeled the furs at the Hyatt in San Jose. That is replayed in a blog I shared with you last February 8th (Modeling at the Hyatt).

May 25, 1968

Proms have become a trope in teen-age movies, which would have one believe that attending (or not attending) the prom defines high school existence (Pretty in Pink springs immediately to mind although there are plenty of others). This wasn’t my experience.

I went to several proms – all in the same lace-encrusted blue dress – and while they were all memorable in their own way, they were not the apex of my teen-age years. I doubt I’m not alone in this. I’ve never met one single person who claims their prom was the defining moment of their high school life.

In real life, I don’t think who got crowned king and queen of the prom was of matter of life and death (Carrie). I was never in the running so I didn’t really care. My parents, however, were the King and Queen of their high school prom

Our Prom Party sent up the movie-fantasy stereotype of a high school prom, it didn’t have much to do with the real thing. One of my Columbia students, Holden Weitz, wrote a hilarious teen movie that parodies this trope. That’s the movie I want to see made!

February 20, 1978

The script I refer to here turned out to be my breakthrough spec script “At 17”, inspired by and loosely based on the brilliant Janis Ian song of the same title. I didn’t have the rights – I don’t know if anyone actually did – but ABC was developing it as a Movie of the Week (MOW).

Jani and I when we were both close to At 17 in real life.

My former boss at NBC, the late and much lamented Len Hill, was one of the ABC executives in charge of MOWs; my sister Janet was his assistant/secretary. He told me if I could write a brilliant script in the next ten days he’d consider it equally with the scripts the network paid for. Ten days isn’t enough to write a great script from scratch under any circumstances and it wasn’t the best of times for me. My son CD was 14 months old but well on his way to the terrible twos.

Most of my time and energy went into containing CD

Nonetheless, I gave it my best shot. The tension was so high I threw up on some of those late nights (gross, I know) but – with Jani’s assistance – I finished it. I don’t think Len or anybody else expected me to do it.

The problem was – it wasn’t good enough. The network preferred the writer who cashed their big checks. The rejection was so devastating I gave up until my pride and desire for revenge resurrected me. “I’ll show you,” I thought. “I’ll do a great rewrite and prove you were wrong to dismiss me.”

"I'll show you. I'll do a great re-write and prove you were wrong to dismiss me." — “I’ll show you. I’ll do a great re-write and prove you were wrong to dismiss me.”

Did I succeed? I think so. Although the film never got made, it was optioned three times and garnered interest from directors like Martha Coolidge and Amy Heckerling. Years after Molly Ringwald aged out of playing a teen-ager, she told me she would’ve loved to play one of the parts. To say the least, I would’ve loved for her to play it but my script didn’t reach her at the right time.

That’s the way things go. Big ups, big downs. Victories won, battles lost, it’s hard to quantify wins and losses when script quality is so subjective and the industry’s in constant flux. The bottom line is, were those ten sleepless days and nights worth it when I failed to get what I wanted? Would I do it again? Hell, yes. If I had my life to live over, I’d try harder, reach higher and risk bigger losses. The only way to fail for good is giving up.

February 14, 1981

John and I in Mexico-themed photo booth with Co-hostess Anne Kurrasch

The invitation for this party (reproduced above) explains it all. I wore the dress I actually wore to real proms in the sixties when I thought it was the most beautiful gown I’d ever seen. The style failed to age as well as I hoped – the dresses worn by most of the other female guests fared better (but I still got to be Prom Queen, an opportunity denied me in real life)