Less than a month after I bought that splicer from Larry Kemp, he served as cinematographer for my award-winning Project One film. He also functioned as my AD, my confidante, driver, grip, sound technician and comic relief. He stepped up and played every role that I asked him to because he was the only guy who was there. That’s not a bad description of Larry and what he meant to me. He was the guy who was there.
He was the youngest of three boys and I was the oldest of three girls. He was from New Jersey, I’d been in California (by way of Iowa) most of my life. We both loved the Beatles and Simon and Garfunkel (okay, not exactly crazy choices in those days, but I doubt we’d have gotten along so well if he’d been into country.)
Laughter was easy with Larry. On the day of my shoot, we were both in hysterics when Larry leaned on Josie’s couch, causing her to almost poke her customer’s eye out with a tweezers. (Maybe you had to be there.)
Of course, it couldn’t be a real friendship without an occasional conflict or two. Larry met my Inner Brat and witnessed my pettiness up close and personal but he didn’t lecture, judge or reject me. It was the kind of friendship I expected to last a lifetime but we took different paths and lost touch after college.
We haven’t seen or spoken to each other since the 70s. We are Facebook “friends” but almost never email or message. In other words, our friendship today is nothing like what it was – but we’re not who we were forty years ago either. The knowledge those days are gone doesn’t diminish the friendship that once existed. I’m happy just to know he’s alive and living happily ever after in LA – one of relatively few people I went to film school with who actually wound up working in the film business.
If a time machine dropped me back in 1971, I’d buy Larry’s splicer all over again. It was worth every penny. I got the deal of lifetime.
