Janet and I in our Santa Clara neighborhood shortly after we moved there.
It’s not terribly surprising I was adamant about Santa Clara being my home considering my family left Santa Clara for San Diego a mere six months before I wrote this entry. In contrast, it astonishes me that 47 years later, I still regard Santa Clara as my home – despite the fact I never lived there again. Realistically, hasn’t LA – where I’ve lived the last 47 years – earned the right to be called home?
Yeah, objectively, no doubt about it. Emotionally, not so fast. I grew up in Santa Clara, it will forever be where I spent my childhood, it’s the backdrop for all my highly formative memories and experiences.
My sisters and I in front of our Santa Clara parsonage – the girl on the far right in the bathing suit is Alana (Lennie), a neighbor and early friend.The three Knutsen sisters in August of 1957
Unfortunately, the Santa Clara I regard as home ceased to exist shortly after I left. I’ve covered this in other blogs (July 18, 1969, August 26, 1969) and I’m loathe to repeat myself. Still, Santa Clara’s metamorphoses into Silicon Valley fascinates me.
Janet, Joyce and I in front of Santa Clara parsonage a little later.
Someday I’d love to write a historical novel about Santa Clara. I’d approach it as a multi-generational saga about a family who own an apricot orchard, tracing family members and the city itself as it evolves to Silicon Valley. I’ve been warned family sagas are out of fashion but by the time I finish, they might be all the rage again.
Perhaps Sandy and I shared a deviously clever rationale for the eraser scam – but I doubt it. The truth is, occasionally – maybe frequently, depending on your point of view – Sandy and I could be extremely unique. Creative? Original? Okay, off the charts weird.
Apparently, our acquisition of the eraser was a major coup – why? And what, exactly, was the purpose of the Corridor Stomp? If I put on my amateur shrink hat, I suspect the aggressive march was our way to feel powerful and in control of a situation – Junior High – that was beyond our control.
To me, something else stands out even more than our weirdness – our innocence, particularly by today’s standards. When I wrote this entry, Sandy and I were fourteen. In our own minds, we were BAD-ASS rebels without a cause. Kathy and Sandy equals explosion!
Sandy and I, approximately 1965
How big was our explosion? We didn’t shoplift, fool around with older boys, deface public property, hot-wire cars or joyride. We stalked – unobserved – down hallways and tricked school supplies out of hapless janitors. Woo-hoo, stand aside Bonnie and Clyde, here come Kathy and Sandy – hide your chalk and bar the doors, or kiss that pencil sharpener goodbye.
Re-enacting the Corridor Stomp years later.
I don’t regret our extreme innocence. In the fifty years that follow, we’ll find more than enough time and opportunity to lose it. We were fortunate to be as naïve as we were in a world where childhood shortens with every new generation.
I don’t think we missed out on anything nor did we do actual harm amusing ourselves with our naïve rebellions. I never feared being “a little weird” when I was with Sandy, I was too busy laughing and having a blast.
This wasn’t my first – or last – fantasy about taking drastic measures to escape my life. I didn’t follow through on this brilliant plan or any of the others which didn’t stop me from devising new schemes to start over someplace else whenever I’m overwhelmed where I am.
Flying away to Sweden
Before my wedding, I thought about hopping a plane and disappearing in Sweden (because I took Swedish at UCLA, as if that would do me any good.) Thank God I lost my nerve – or regained my senses – and showed up at the church on time. Sticking around and seeing things through was always the right choice.
Hop a train to a new life, new name, new city.
The fantasy of running away – starting a new life with a new name – is probably impossible in our high-tech surveillance-happy world. Even if I could, there’s no reason to believe my new life would improve on the one I’m living. As the saying goes, wherever you run to, you take yourself with you.
Go where?
And of course, “myself” is the problem. The only way to change my circumstances is change myself. It’s an inside adjustment, not an outside one. I didn’t know that in ’69, as I sank into a bottomless clinical depression. I find solace in the fact that no matter how much I wanted to leave this life, I stayed – and you know what? It got better.
These boots are made for walking – incognito woman of mystery somewhere far north of here
The four of us in 1964 – From the left, Me, Natalie, Janet & Joyce
From today’s vantage point, life looks simple in ‘64 but it didn’t feel that way then. I obsessed over what other people thought of me (which they didn’t, much). Subtle shifts in friendship sent me reeling. I stewed about my performance in school. I wanted to be number one in everything but I was afraid to be best at anything.
My need to be number one began in ‘53, when my parents shattered my fragile 2-year-old psyche by bringing my sister Janet home. I got their message loud and clear. If I’d been a better baby – cuter, smarter, more entertaining – they wouldn’t have needed another baby. I ran outside and bawled my eyes out.
Me, on the day they brought Janet home.It’s nice to have Janet to play with sometimes.
They flat-out refused to return her. Over time, I discovered she – and later Joyce – had some good points. Little sisters were easy to trick. Gradually both of them became fun to talk to. In fact, it was easier to talk to them than anyone else in the world.
We can talk to each other about things other people don’t understand. Because it’s a Knutsen thing.
Because we knew which buttons to push, emotions ran high. They could cut me to the bone, infuriate and inspire me, rouse my jealousy and my compassion. On balance, we shared more laughter than tears.
Sharing some laughter.
I trust them with my deepest secrets, my darkest self. When I fail and feel all is lost, my sisters raise me from the dead. They’ve got my back when I need them most. They love me when I don’t deserve it, believe in me when I give up. They’re the wind beneath my wings, my bridge over troubled waters. They light up my life. You get the gist.
We learn how to share precious puppies and kittens.
Maybe all things considered, what my sisters give me is bigger than the narcissistic wound Janet inflicted. Maybe gains always come with pain. Maybe I should stop whining about what happened 63 years ago.
Is it finally time to let this go? Now that we’re all so mature?
The script I refer to here turned out to be my breakthrough spec script “At 17”, inspired by and loosely based on the brilliant Janis Ian song of the same title. I didn’t have the rights – I don’t know if anyone actually did – but ABC was developing it as a Movie of the Week (MOW).
Jani and I when we were both close to At 17 in real life.
My former boss at NBC, the late and much lamented Len Hill, was one of the ABC executives in charge of MOWs; my sister Janet was his assistant/secretary. He told me if I could write a brilliant script in the next ten days he’d consider it equally with the scripts the network paid for. Ten days isn’t enough to write a great script from scratch under any circumstances and it wasn’t the best of times for me. My son CD was 14 months old but well on his way to the terrible twos.
Most of my time and energy went into containing CD
Nonetheless, I gave it my best shot. The tension was so high I threw up on some of those late nights (gross, I know) but – with Jani’s assistance – I finished it. I don’t think Len or anybody else expected me to do it.
Janet and I
The problem was – it wasn’t good enough. The network preferred the writer who cashed their big checks. The rejection was so devastating I gave up until my pride and desire for revenge resurrected me. “I’ll show you,” I thought. “I’ll do a great rewrite and prove you were wrong to dismiss me.”
“I’ll show you. I’ll do a great re-write and prove you were wrong to dismiss me.”
Did I succeed? I think so. Although the film never got made, it was optioned three times and garnered interest from directors like Martha Coolidge and Amy Heckerling. Years after Molly Ringwald aged out of playing a teen-ager, she told me she would’ve loved to play one of the parts. To say the least, I would’ve loved for her to play it but my script didn’t reach her at the right time.
That’s the way things go. Big ups, big downs. Victories won, battles lost, it’s hard to quantify wins and losses when script quality is so subjective and the industry’s in constant flux. The bottom line is, were those ten sleepless days and nights worth it when I failed to get what I wanted? Would I do it again? Hell, yes. If I had my life to live over, I’d try harder, reach higher and risk bigger losses. The only way to fail for good is giving up.
Me, with my father and his parents when we still lived in Iowa – early fifties.
I wasn’t as lucky as my Iowa cousins or my children – they grew up in close proximity to at least one set of grandparents. Since my sisters and I lived within five miles of our parents, all of our children spent a lot of time with Grandma and Grandpa. I saw my grandparents once a year at most when we went to Iowa or they came to California.
My father with his grandchildren.
Consequently, while I have vivid impressions of my grandparents, I can’t say I really knew them – certainly not as well as my cousins did. My grandmother was particularly elusive – quiet, sensitive, soft-spoken and introverted although in fairness most people would appear quiet in the shadow of my extroverted grandfather R.S. He was so gregarious and entertaining it was only natural that she let him do most of the talking.
My sisters and I with parents, grandparents and parish worker Marion Voxland – probably 1964 or so.
I see elements of both my father’s parents in my father. Like RS, he was comfortable talking to others and easy for them to talk to – because, like my grandmother, he listened more than he talked. His gentle nature and sensitivity resembled his mother more than his father but he was very much his own man – as he had to be, to leave his family roots in Iowa to move to California.
My dad and I with Chris and Alex. It was great they lived close enough to go on fun outings together.
What I like about this diary entry is the way Grandma spoke up for herself in a clear but non-confrontational way. She didn’t disagree or contradict RS often, but on the rare occasions she did, what she said was worth hearing. I wish I’d written more of it down.
John and I in Mexico-themed photo booth with Co-hostess Anne Kurrasch
The invitation for this party (reproduced above) explains it all. I wore the dress I actually wore to real proms in the sixties when I thought it was the most beautiful gown I’d ever seen. The style failed to age as well as I hoped – the dresses worn by most of the other female guests fared better (but I still got to be Prom Queen, an opportunity denied me in real life)
Kirk Hulstrom and Arthur Everett in character.
In this case, the photos are worth a thousand words so here are some of my favorites.
Ceiling stars and disco ball were more effective live than they appear in photos – I guess you had to be there.Joyce and John Salter (one of few people who look young enough to actually be in high school)Bennett Traub with JJ Johnson – JoAnn Hill and DannyKim Mistretta and Karen Hermann, the future Mrs. Art Everett (this was the night they met) & Ken Millikian and Steffani GrahamSome girls campaigned shamelessly to be elected Prom Queen (Anne Kurrasch and Bill Connell)Don’t judge Mr. Hulstrom too harshly. You’d be drinking too if you had to chaperone this thing. The photographer gets frisky with Joyce Salter and Denise Gail Williams.You didn’t hear it from me, but something’s fishy with the Queen of the Prom ballots! (Diane Larson, Joyce Salter, Steffani Graham)Somebody dropped something! (Kathy Williamson, Kirk Hulstrom, Sharon and Russ Carpenter )Karen Hermann, Russ Carpenter, ??, Vicki Hill – Waiting to learn who will be crowned Prom Queen (me, Michael Wasserman, Melanie Sayler, Diane Larson plus people I can’t identify)I was as surprised as everyone else when Mr. Hulstrom announced I was Prom Queen.When you’re a winner, you have to deal with the envy of others. (Sharon Grish, Father Dan) – Denise Trette, Gail Williams – a good time was had by all Joyce Salter, Michael WassermanGoodnight, John. Goodnight, Kathleen.
I was far too quick to judge; I grossly underestimated the power of Nice’n’Easy. Under sunlight – any normal light, really – my hair blazed. You’d need to be blind not to notice and both of my parents were sighted. “You took out all the pretty darkness,” my mother lamented. My Wilcox cohorts assured me it was a vast improvement (not so hard, after 15 bad hair years).
To the best of my recollection, I was a natural brunette.
This was my first foray into the new world of multi-hued hair – a world I’d return to often. Addicts claim their first hit of cocaine is the one they chase for the rest of their lives. Likewise, my first rinse of permanent hair dye was the sweetest. Drugs or alcohol would’ve been redundant. Pounding down neighborhood streets on our secret mission was intoxicating enough.
My secret mission ally Sandy Walker (Hegwood)My Sunnyvale ally, Natalie Nilsen (pigtails, I know. I told you – 15 years of bad hair days.)
Due to the aerobic work-out we got from running all over town, our endorphins probably maxed out. Stir in the promise implicit in every Clairol commercial – by changing your hair color, you can change your life!- and we became unstoppable, the world was ours for the taking. If that’s not 20th century alchemy, what is?
Dear me, whatever can I do with my hair?
As far as my parents were concerned, it wasn’t my finest hour. It wasn’t the worst, either. Still, even now – fifty years later to the day – bursts of our laughter and the pounding of our hearts echoes in my memory. We had so much fun it hurt – in an oddly pleasant way.
The always reliable pert sixties flip.
I remember it so clearly but I can’t recapture the feelings – the roller coaster highs and lows, intense moods and flooding emotions that were part and parcel of being fifteen. I couldn’t live at that fevered pitch forever – but I wouldn’t say no to another taste. After all these years, I’m chasing that fifteen-years-old high.
I’ve attended more than my share of writing workshops, including some of the most torturous to get into (hello Bread Loaf and Sewanee) as well as other high profile names – Tin House, Aspen Summer Words, Napa, Taos.
Eckerd College’s WRITERS IN PARADISE is one of my favorites. As far as I know, it’s the only workshop with a competition for best and second best pieces in the workshop. (The best got published in their literary magazine; the runner up got a nice write-up). For me, this led to what a friend called “fang extension” – a fierce desire to win no matter what.
Clearly, Nicky’s the one with fang extension – not me.
Victory didn’t come easy. I lost both first and second place for three solid years. I loathe losing and swore I’d win before I died. Luckily, it happened sooner – because, to my chagrin, Eckerd discontinued the competition after 2013. Under the new system, all participants can revise the material they work-shop and submit it to the magazine for consideration. Speaking strictly for myself, I miss the thrill of cut-throat competition but since that resulted in nine miserable writers who lost and one triumphant writer who won, maybe it undermined community spirit and cooperation. Personally, I don’t think so, but who knows?
With or without the “Best of” competition, what makes Eckerd such a fantastic workshop? For me, it’s their faculty. I don’t read literary fiction unless forced to (I prefer stories /plots). Consequently, I’ve never heard of the majority of author/workshop leaders appearing at even top workshops. This isn’t true of Eckerd. Books by Eckerd authors/workshop leaders are everywhere – many are best-sellers – because they’re entertaining. Where but Eckerd can a student spend time with writers of the calibre of Sterling Watson, Tom Perrotta, Stewart O’Nan, Laura Lippman, Michael Koryta and Andre Dubus? Dennis Lehane no longer leads workshops but he makes himself accessible and never fails to fascinate.
St. Petersburg weather in January is beautiful, as is the lush green campus. It’s a safe place to stick your toe in the water (figuratively – there are alligators in Florida) and benefit from smart, professional feedback. I liked almost everyone I met there, even my competition – and I returned home a stronger writer. What more could I ask?
This is NOT a paid advertisement. Writer’s in Paradise is that good.
With grandparents (whose money I spent on pop records!)
Given the privacy concerns expressed in this entry, it’s ironic I post these entries on the web for anybody to read. I worried about others reading my diaries back then because I used them to vent my rage when I felt abused or insulted. To demonstrate my wrath in these early days, I appended Witch to my tormenter’s name – as in Jani-Witch, Joyce-Witch, etc. It was the worst I could think of to say.
Sometimes I wondered what would happen to my diaries if I died. I didn’t want anyone to read them but I didn’t want them destroyed either. Why bother to write all these careful entries if they’re all going to end up in the fireplace? On the other hand, some of my thoughts and feelings would be hurtful if read by the wrong person – and just about everybody I know became the wrong person at least once.
My family circa 1965 (I think)
Occasionally, I willed my diaries to somebody I felt particularly close to. At the time, I regarded willing my diaries as a privilege to be bestowed upon some lucky person. In reality, nobody was begging me to bequeath multiple volumes to them.
After approximately 20 years, I switched from diaries to blank books. The photo below shows most but not all of them. Not only are they nearly impossible to read due to poor penmanship and weird abbreviations, they consume formidable storage space.
These are some, but not all of my diaries
So, what do I do with them on my deathbed? I still don’t know. It bothers me to picture them burning but I don’t know anyone gung ho enough to archive them – and I’m not sure it’s wise to take that risk anyway, since there’s something there to hurt almost everybody I care about. That’s not how I want to be remembered – but at the same time, I do want to be remembered – otherwise, why write these books at all?
After all this time, you’d think I’d have some answers but I don’t.
